THE STATE OF COMEDY IN THESE UNITED STATES
This essay is seeking to show that a very real line can be shown between what is used in the comedy in a society, and that which is discussed. As was shown during the media alignment that sparked the Obama Shift.
A media is the most powerful tool presently in existence. More people can be manipulated at once than ever before. As mankind hurdles toward his inevitable end, there are a few concerns that most share. Pure common sense says that most people want to make a living... when making a living in comedy requires avoiding politics, the price is just too high. We can pretend that we are not doing something political, but that is like pretending an affair will not effect a marriage; our comedy is going to add or subtract from the problems of the world. There is a lot to criticize about the movies, especially. I hate the big blockbusters that suck up enough money to shoot
I saw a debate on the topic of whether or not good comedy needed to be a political weapon. Almost twenty years ago, when I was studying Improv. There were quite a few famous people there from the Annoyance Theater, Second City, Saturday Night Live, etc... legends in the comedy business. I was there as a student of David Sheperd, who looked at improv as the ultimate weapon of the working man, a way to subvert the easily digested myths in the newspapers and confront people with what we are, and can be.... etc....
I found this debate to be more interesting as time passed. John Stewart notably went out to fight the good fight on his show, but a lot of politics has been played down by comedians. They were naturally worried about how to succeed in their career, and being didactic, supporting one side or the other, alienates fans. It is easy for me to sit here in Chicago and say that I never sold out. My stories though, are often less focused unraveling the news of the day, than mapping out my own unconscious mind.
I used to be wrapped up in what philosophy I should espouse, to give a nice, cohesive paradigm for readers to make sense of my work with. I then realized, in college, that a writer's mentality itself was the source of his paradigm... and reading a few of someone's books will tell you where they are coming from. If they want that there. My politics are on my face, in my rages and loves, and in my stories. I cringe a little when I think about the kind of writer that I must conjour up in people's minds when they think of me.
The characters I have played in this grand charade are shadowy reflections of my beastly and saintly impulses. I have pissed off so many people. I am proud to have flashed a big fuck you in the face of the pompous, criminal and conservative. This is my comedy at it's base... taunting the powers that b., yelling at the king that he ain't such a big shit after-all.
All this said, back to comedy... I want to write more, but my mindset is just so damn serious all the time that I barely let my hair down, so to speak. I am not saying that the seriousness of the times requires people to just fucking stop laughing. Comedy sometimes, to me, is doing enough just to make me laugh. In the end, I like comedy best when it makes me laugh and think. I prefer to let people know what I think at this point in my life, since I have a lot of people who show almost too much interest in what I write.
If I did not believe that you are there
If I did not believe the world still awaits the words of change
If I did not believe the battle has just begun
I would be able to easily throw myself into silly comedy
make em laugh until the cough up blood....
Wednesday, May 27, 2009
Subscribe to:
Posts (Atom)